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	<description>Maille Haute Sculpture
Knitwear design, craft and consultancy</description>
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		<title>R&#233;v&#233;lations 5</title>
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		<dc:date>2022-08-22T14:33:12Z</dc:date>
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		<dc:creator>agathe</dc:creator>



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&lt;p&gt;Photographs &#169;Voyez-Vous (Vinciane Lebrun)&lt;/p&gt;


-
&lt;a href="http://xavierxbrisoux.com/expositions" rel="directory"&gt;Exhibitions&lt;/a&gt;


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		<title>Totems</title>
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		<dc:date>2022-08-22T14:19:37Z</dc:date>
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&lt;p&gt;Photographs &#169; studio.b.helle&lt;/p&gt;


-
&lt;a href="http://xavierxbrisoux.com/interior-design" rel="directory"&gt;Interior design&lt;/a&gt;


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		<title>Maille Haute-Sculpture . Pilot</title>
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		<dc:date>2021-10-15T13:02:53Z</dc:date>
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		<dc:creator>agathe</dc:creator>



		<description>
&lt;p&gt;Seven deities, heralds of a manifesto of creativity and craftsmanship. Welcome to the pantheon of the first Hautes Sculptures &#224; Porter Xavier Brisoux has developed. This is the coming together of the work, inspirations, and influences of a lifetime. &lt;br class='autobr' /&gt;
Then each heroine has her own singularity with her Haute Sculpture &#224; Porter, with a definition of her specificity through the choice of colour, shapes and volumes. The yarns used in the collection are mainly made of cotton, a fibre that is both (&#8230;)&lt;/p&gt;


-
&lt;a href="http://xavierxbrisoux.com/fashion" rel="directory"&gt;Fashion&lt;/a&gt;


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Welcome to the pantheon of the first Hautes Sculptures &#224; Porter Xavier Brisoux has developed. This is the coming together of the work, inspirations, and influences of a lifetime.&lt;/p&gt;
&lt;p&gt;Then each heroine has her own singularity with her Haute Sculpture &#224; Porter, with a definition of her specificity through the choice of colour, shapes and volumes. The yarns used in the collection are mainly made of cotton, a fibre that is both soft to wear but strong enough to support its own weight.&lt;br class='autobr' /&gt;
Many of the silhouettes are incarnated in their own single colours defining their identity, ranging from neutral colours to autumnal hues to metallic lurex blue.&lt;br class='autobr' /&gt;
Craftmanship is at the centre of the collection.&lt;br class='autobr' /&gt;
In the knitwear first, as each silhouette is a challenge in its realisation. The technical boundaries are pushed as many of the Hautes Sculptures &#224; Porter are knitted in one single panel. Considering the volume with and without the body, the piece can transcend to become a sculpture, an abstract object, a relic that an archaeologist would find while time-traveling to the future.&lt;br class='autobr' /&gt;
Then Brisoux has also translated his knitwear into a &#8220;flou&#8221; technique with the help of the Atelier Paloma.&lt;br class='autobr' /&gt;
By transposing the pleating effect to a tube of fabric in which a horsehair tubular is inserted, the aesthetics of the Hautes Sculptures &#224; Porter become more evanescent in the silhouette &#8220;M&#233;tiers d'Art&#8221;. The very technical organza from Jakob Schlaepfer looks like liquid and together with the undefinable sea green colour, they finish giving the unfathomable aspect of the dress.&lt;br class='autobr' /&gt;
To complete the looks shoes, gloves and handbags were specifically made for the collection. Henry Aschkoyan has developed the shoes, and Maison Fabre has fabricated the gloves.&lt;/p&gt;
&lt;p&gt;Photographs &#169; Mathieu Drouet &lt;strong&gt;Photographs &#169; &lt;a href=&#034;https://mathieu-drouet.com&#034; class=&#034;spip_out&#034; rel=&#034;external&#034;&gt;Mathieu Drouet&lt;/a&gt; &lt;/strong&gt;&lt;/p&gt;&lt;/div&gt;
		
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		<title>Maille Haute-Sculpture . Season 2</title>
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&lt;p&gt;Seven deities, heralds of a manifesto of creativity and craftsmanship. Welcome to the pantheon of the first Hautes Sculptures &#224; Porter Xavier Brisoux has developed. This is the coming together of the work, inspirations, and influences of a lifetime. &lt;br class='autobr' /&gt;
Then each heroine has her own singularity with her Haute Sculpture &#224; Porter, with a definition of her specificity through the choice of colour, shapes and volumes. The yarns used in the collection are mainly made of cotton, a fibre that is both (&#8230;)&lt;/p&gt;


-
&lt;a href="http://xavierxbrisoux.com/fashion" rel="directory"&gt;Fashion&lt;/a&gt;


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 <content:encoded>&lt;img src='http://xavierxbrisoux.com/local/cache-vignettes/L150xH150/arton37-0afcf.jpg?1755976272' class='spip_logo spip_logo_right' width='150' height='150' alt=&#034;&#034; /&gt;
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Welcome to the pantheon of the first Hautes Sculptures &#224; Porter Xavier Brisoux has developed. This is the coming together of the work, inspirations, and influences of a lifetime.&lt;/p&gt;
&lt;p&gt;Then each heroine has her own singularity with her Haute Sculpture &#224; Porter, with a definition of her specificity through the choice of colour, shapes and volumes. The yarns used in the collection are mainly made of cotton, a fibre that is both soft to wear but strong enough to support its own weight.&lt;br class='autobr' /&gt;
Many of the silhouettes are incarnated in their own single colours defining their identity, ranging from neutral colours to autumnal hues to metallic lurex blue.&lt;br class='autobr' /&gt;
Craftmanship is at the centre of the collection.&lt;br class='autobr' /&gt;
In the knitwear first, as each silhouette is a challenge in its realisation. The technical boundaries are pushed as many of the Hautes Sculptures &#224; Porter are knitted in one single panel. Considering the volume with and without the body, the piece can transcend to become a sculpture, an abstract object, a relic that an archaeologist would find while time-traveling to the future.&lt;br class='autobr' /&gt;
Then Brisoux has also translated his knitwear into a &#8220;flou&#8221; technique with the help of the Atelier Paloma.&lt;br class='autobr' /&gt;
By transposing the pleating effect to a tube of fabric in which a horsehair tubular is inserted, the aesthetics of the Hautes Sculptures &#224; Porter become more evanescent in the silhouette &#8220;M&#233;tiers d'Art&#8221;. The very technical organza from Jakob Schlaepfer looks like liquid and together with the undefinable sea green colour, they finish giving the unfathomable aspect of the dress.&lt;br class='autobr' /&gt;
To complete the looks shoes, gloves and handbags were specifically made for the collection. Henry Aschkoyan has developed the shoes, and Maison Fabre has fabricated the gloves.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Photographs &#169; &lt;a href=&#034;https://mathieu-drouet.com&#034; class=&#034;spip_out&#034; rel=&#034;external&#034;&gt;Mathieu Drouet&lt;/a&gt; &lt;/strong&gt;&lt;/p&gt;&lt;/div&gt;
		
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		<title>Coronulid&#230;</title>
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		<dc:date>2020-10-30T13:34:37Z</dc:date>
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		<dc:creator>agathe</dc:creator>



		<description>
&lt;p&gt;Isabelle Soum x Xavier Brisoux &lt;br class='autobr' /&gt;
Coton, Polyester and Resin - 29cm x 32cm x 29cm
&lt;br class='autobr' /&gt;
Photographs &#169; Isabelle Soum&lt;/p&gt;


-
&lt;a href="http://xavierxbrisoux.com/xavier-Brisoux-X-Isabelle-Soum" rel="directory"&gt;Xavier Brisoux X Isabelle Soum&lt;/a&gt;


		</description>


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&lt;p&gt;Coton, Polyester and Resin - 29cm x 32cm x 29cm&lt;br class='autobr' /&gt;
&lt;strong&gt;Photographs &#169; &lt;a href=&#034;https://www.behance.net/isabellesoum&#034; class=&#034;spip_out&#034; rel=&#034;external&#034;&gt;Isabelle Soum&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;/div&gt;
		
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		<title>Ricochet</title>
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		<dc:date>2020-10-30T13:20:15Z</dc:date>
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		<dc:creator>agathe</dc:creator>



		<description>
&lt;p&gt;Isabelle Soum x Xavier Brisoux &lt;br class='autobr' /&gt;
Cotton and Resin - 20cm x 20cm x 17cm
&lt;br class='autobr' /&gt;
Photographs &#169; Isabelle Soum&lt;/p&gt;


-
&lt;a href="http://xavierxbrisoux.com/xavier-Brisoux-X-Isabelle-Soum" rel="directory"&gt;Xavier Brisoux X Isabelle Soum&lt;/a&gt;


		</description>


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&lt;p&gt;Cotton and Resin - 20cm x 20cm x 17cm&lt;br class='autobr' /&gt;
&lt;strong&gt;Photographs &#169; &lt;a href=&#034;https://www.behance.net/isabellesoum&#034; class=&#034;spip_out&#034; rel=&#034;external&#034;&gt;Isabelle Soum&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;/div&gt;
		
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		<title>The Fibery - Sofitel Paris</title>
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		<dc:date>2020-10-28T14:39:58Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>agathe</dc:creator>



		<description>
&lt;p&gt;Mutations
&lt;br class='autobr' /&gt;
24 Septembre &#8211; 28 novembre 2020 &lt;br class='autobr' /&gt;
Xavier Brisoux x Isabelle Soum sont &#224; nouveau accueillis par la galerie the Fibery dans une exposition hors les murs au Sofitel Paris Le Faubourg. &lt;br class='autobr' /&gt;
Ils y pr&#233;sentent leurs deux derni&#232;res cr&#233;ations : Ricochet et Coronulid&#230; &lt;br class='autobr' /&gt;
Texte de Eva Taieb extrait du dossier de presse : &lt;br class='autobr' /&gt;
Le prestigieux h&#244;tel Sofitel Paris Le Faubourg met r&#233;guli&#232;rement &#224; l'honneur les savoir-faire textiles et la dimension artistique du v&#234;tement dans ses installations. C'est (&#8230;)&lt;/p&gt;


-
&lt;a href="http://xavierxbrisoux.com/expositions" rel="directory"&gt;Exhibitions&lt;/a&gt;


		</description>


 <content:encoded>&lt;img src='http://xavierxbrisoux.com/local/cache-vignettes/L150xH100/arton34-e9ea7.jpg?1755976273' class='spip_logo spip_logo_right' width='150' height='100' alt=&#034;&#034; /&gt;
		&lt;div class='rss_texte'&gt;&lt;p&gt;&lt;strong&gt;Mutations&lt;/strong&gt;&lt;br class='autobr' /&gt;
24 Septembre &#8211; 28 novembre 2020&lt;/p&gt;
&lt;p&gt;Xavier Brisoux x Isabelle Soum sont &#224; nouveau accueillis par la galerie &lt;i&gt;the Fibery&lt;/i&gt; dans une exposition hors les murs au Sofitel Paris Le Faubourg. &lt;br class='autobr' /&gt;
Ils y pr&#233;sentent leurs deux derni&#232;res cr&#233;ations : &lt;i&gt;Ricochet&lt;/i&gt; et &lt;i&gt;Coronulid&#230;&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;Texte de Eva Taieb extrait du dossier de presse : &lt;br class='autobr' /&gt;
Le prestigieux h&#244;tel Sofitel Paris Le Faubourg met r&#233;guli&#232;rement &#224; l'honneur les savoir-faire textiles et la dimension artistique du v&#234;tement dans ses installations. C'est donc tout naturellement qu'il a souhait&#233; convier &lt;i&gt;The Fibery&lt;/i&gt;, galerie parisienne d&#233;di&#233;e &#224; l'art textile contemporain, &#224; investir les lieux du 24 septembre au 28 Novembre. &#192; travers les &#339;uvres des artistes Karine N'guyen Van Tham, Aurore Thibout et du duo Xavier Brisoux-Isabelle Soum, un univers po&#233;tique s'ouvre &#224; nous. [&#8230;]&lt;br class='autobr' /&gt;
Sur le trajet, s'offrent &#224; notre regard les empreintes organiques sculpt&#233;es de Xavier Brisoux et Isabelle Soum faites de mati&#232;re tricot&#233;e et de r&#233;sine, sortes de fossiles aux allures futuristes.&lt;/p&gt;
&lt;p&gt;Exposition MUTATIONS du 24 Septembre au 28 Novembre 2020, &lt;br class='autobr' /&gt;
Sofitel Paris, Le Faubourg - 15 rue Boissy d'Anglas - 75008 Paris&lt;br class='autobr' /&gt;
(Photo &#169;Isabelle Soum)&lt;/p&gt;&lt;/div&gt;
		
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		<title>Maille Haute-Sculpture . Season 1</title>
		<link>http://xavierxbrisoux.com/maille-haute-sculpture-season-1</link>
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		<dc:date>2020-10-15T14:12:00Z</dc:date>
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		<dc:creator>agathe</dc:creator>



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&lt;p&gt;Seven deities, heralds of a manifesto of creativity and craftsmanship. Welcome to the pantheon of the first Hautes Sculptures &#224; Porter Xavier Brisoux has developed. This is the coming together of the work, inspirations, and influences of a lifetime. &lt;br class='autobr' /&gt;
Then each heroine has her own singularity with her Haute Sculpture &#224; Porter, with a definition of her specificity through the choice of colour, shapes and volumes. The yarns used in the collection are mainly made of cotton, a fibre that is both (&#8230;)&lt;/p&gt;


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&lt;a href="http://xavierxbrisoux.com/fashion" rel="directory"&gt;Fashion&lt;/a&gt;


		</description>


 <content:encoded>&lt;img src='http://xavierxbrisoux.com/local/cache-vignettes/L150xH150/arton33-d202b.jpg?1755976273' class='spip_logo spip_logo_right' width='150' height='150' alt=&#034;&#034; /&gt;
		&lt;div class='rss_texte'&gt;&lt;p&gt;&lt;i&gt;Seven deities, heralds of a manifesto of creativity and craftsmanship.&lt;/i&gt;&lt;br class='autobr' /&gt;
Welcome to the pantheon of the first Hautes Sculptures &#224; Porter Xavier Brisoux has developed. This is the coming together of the work, inspirations, and influences of a lifetime.&lt;/p&gt;
&lt;p&gt;Then each heroine has her own singularity with her Haute Sculpture &#224; Porter, with a definition of her specificity through the choice of colour, shapes and volumes. The yarns used in the collection are mainly made of cotton, a fibre that is both soft to wear but strong enough to support its own weight.&lt;br class='autobr' /&gt;
Many of the silhouettes are incarnated in their own single colours defining their identity, ranging from neutral colours to autumnal hues to metallic lurex blue.&lt;br class='autobr' /&gt;
Craftmanship is at the centre of the collection.&lt;br class='autobr' /&gt;
In the knitwear first, as each silhouette is a challenge in its realisation. The technical boundaries are pushed as many of the Hautes Sculptures &#224; Porter are knitted in one single panel. Considering the volume with and without the body, the piece can transcend to become a sculpture, an abstract object, a relic that an archaeologist would find while time-traveling to the future.&lt;br class='autobr' /&gt;
Then Brisoux has also translated his knitwear into a &#8220;flou&#8221; technique with the help of the Atelier Paloma.&lt;br class='autobr' /&gt;
By transposing the pleating effect to a tube of fabric in which a horsehair tubular is inserted, the aesthetics of the Hautes Sculptures &#224; Porter become more evanescent in the silhouette &#8220;M&#233;tiers d'Art&#8221;. The very technical organza from Jakob Schlaepfer looks like liquid and together with the undefinable sea green colour, they finish giving the unfathomable aspect of the dress.&lt;br class='autobr' /&gt;
To complete the looks shoes, gloves and handbags were specifically made for the collection. Henry Aschkoyan has developed the shoes, and Maison Fabre has fabricated the gloves.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Photographs &#169; &lt;a href=&#034;https://mathieu-drouet.com&#034; class=&#034;spip_out&#034; rel=&#034;external&#034;&gt;Mathieu Drouet&lt;/a&gt; &lt;/strong&gt;&lt;/p&gt;&lt;/div&gt;
		
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		<title>The Fibery - Paris</title>
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		<dc:date>2019-12-11T12:04:54Z</dc:date>
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		<dc:creator>xavier</dc:creator>



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&lt;p&gt;10 Septembre - 19 Octobre 2019 &lt;br class='autobr' /&gt;
Le v&#234;tement pens&#233; en tant qu'&#339;uvre d'art devient suggestion, incarnation d'un corps absent, nous emporte ailleurs, vers l'intangible, l'immat&#233;riel. Il devient Trace s&#233;miotique, r&#233;f&#233;rant de notre histoire, compagnon de voyage entre le pass&#233; et le pr&#233;sent, d&#233;tenteur de m&#233;moire pour les g&#233;n&#233;rations &#224; venir. V&#233;ritables arch&#233;ologues, Aurore Thibout, Karine N'guyen Van Tham, Xavier Brisoux et Popy-Loly de Monteysson puisent leur inspiration des civilisations (&#8230;)&lt;/p&gt;


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&lt;a href="http://xavierxbrisoux.com/expositions" rel="directory"&gt;Exhibitions&lt;/a&gt;


		</description>


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		&lt;div class='rss_texte'&gt;&lt;p&gt;10 Septembre - 19 Octobre 2019&lt;/p&gt;
&lt;p&gt;Le v&#234;tement pens&#233; en tant qu'&#339;uvre d'art devient suggestion, incarnation d'un corps absent, nous emporte ailleurs, vers l'intangible, l'immat&#233;riel. Il devient Trace s&#233;miotique, r&#233;f&#233;rant de notre histoire, compagnon de voyage entre le pass&#233; et le pr&#233;sent, d&#233;tenteur de m&#233;moire pour les g&#233;n&#233;rations &#224; venir. V&#233;ritables arch&#233;ologues, Aurore Thibout, Karine N'guyen Van Tham, Xavier Brisoux et Popy-Loly de Monteysson puisent leur inspiration des civilisations disparues, des rituels ancestraux dont les vestiges sont les t&#233;moins parfois empreints de sacr&#233;. Ces &#339;uvres o&#249; le v&#234;tement est tant&#244;t fossilis&#233;, tant&#244;t suspendu tel une relique, nous renvoient immanquablement &#224; l'impermanence des choses.&lt;br class='autobr' /&gt;
Texte Eva Ta&#239;eb / Photos Isabelle Soum&lt;/p&gt;&lt;/div&gt;
		
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		<title>Murex</title>
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		<dc:date>2019-01-17T21:27:19Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>agathe</dc:creator>



		<description>
&lt;p&gt;Isabelle Soum x Xavier Brisoux
&lt;br class='autobr' /&gt;
Photographs &#169; Isabelle Soum&lt;/p&gt;


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&lt;a href="http://xavierxbrisoux.com/xavier-Brisoux-X-Isabelle-Soum" rel="directory"&gt;Xavier Brisoux X Isabelle Soum&lt;/a&gt;


		</description>


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		&lt;div class='rss_texte'&gt;&lt;p&gt;&lt;strong&gt;Isabelle Soum x Xavier Brisoux&lt;/strong&gt;&lt;br class='autobr' /&gt;
&lt;strong&gt;Photographs &#169; &lt;a href=&#034;https://www.behance.net/isabellesoum&#034; class=&#034;spip_out&#034; rel=&#034;external&#034;&gt;Isabelle Soum&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;/div&gt;
		
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